On the second day of the Gender and Political Culture conference at the University of Plymouth, 30 August 2013, participants filed into the auditorium of the Ronald Levinsky Centre to hear a keynote speech given by the formidable Merry Wiesner Hanks.
The Name of a Queen: William Fleetwood’s Itinerarium ad Windsor is a valuable piece of research, as it publishes a very intriguing and little-studied source written in 1575. In analysing this source which is considered as both a ‘document and [a] fiction’ (pp.
This well-crafted volume of ten essays is an important contribution to the growing body of research on women and law in England the pre-modern period. Each essay examines a different aspect of women’s interactions with the law (broadly defined and encompassing both secular and ecclesiastical courts) and, as suggested in the title, foregrounds their agency.
Nest of Deheubarth, a 12th-century Welsh princess, has a presence well beyond academic history and interests. She was one of the most famous Welsh princesses and over the centuries has had a significant impact on Welsh history and identity.
Elena Woodacre’s book on the five female sovereigns of the medieval Pyrenean kingdom of Navarre is a timely study considering the latest scholarship on politically active queens in medieval Iberia. This scholarship on ruling women, however, has focused predominantly on individual queens.
Both the problematic discourses of ‘professional/amateur’ and ‘public/private spheres’, and also the multifaceted hierarchies between the fine and the applied arts, have received substantial academic enquiry in the last thirty years. This is particularly true for the art historians researching the cultural activities of middle-class women in 19th-century Britain.
Lady Grisell Baillie (1665–1746) graces the front cover of this volume, her poise and thoughtful, questioning expression a fitting overture for a book that is peppered with images of 18th-century Scottish women, literally making them more visible.
With essays detailing everything from the experiences of old women to an examination of convent music, The Ashgate Research Companion to Women and Gender in Early Modern Europe promises ‘a comprehensive and authoritative state-of-the art review’ of historiography pertaining to the lives of women between 1400 and 1800 (p. ii).
Elizabeth I (1533–1603) has been the subject of many fictional representations, some as early as the 1680s, speculating about her private life. Theatre plays, novels and later also films explored the allegations made against her during her life-time, such as suggestions that the Queen was infertile, that she was malformed, or in fact, a man or a hermaphrodite (p. 355).
Over years of supervising student dissertations I have been petitioned by many with a wish to undertake a study of gender (or more particularly women) and the Scottish Enlightenment. I usually caution against this. Gender relative to the Enlightenment is so very difficult to pin down. The Enlightenment, after all, wasn’t something that anyone knew they were doing or experiencing.