Reflecting the place of the Bible as the bedrock of medieval culture, biblical imagery was ubiquitous in medieval England, yet it has not hitherto been the subject of a comprehensive modern monograph. Such precedents as there were – notably M. R. James’s The Apocalypse in Art (London: British Academy, 1931) and F. Wormald’s ‘Bible Illustration in Medieval Manuscripts’, in G. W. H.
This exciting new study argues that medieval aristocratic women not only had power to exercise authority, but that they did so in different capacities depending on the times of their life cycle.
In 1992 a conference was held at Reading to study the changing relations between England and Normandy that resulted from the conquest of 1066.(1) Some ten years later, after a period of intense historical investigation, a colloque at Cerisy-la-Salle re-examined the questions raised at Reading and assessed the ways in which historical understanding of t
Professor Coss has written a splendid analysis of the changing aristocracy of the two hundred years after 1150 that will be required reading for the next century or so. What he has also attempted is even more bold and original, nothing more nor less than to explain the evolution of the English gentry.
The recent publication of two volumes of the Cambridge History of the Book in Britain, covering the period from 1400 to 1695 in just over 1600 pages, indicates something of the way in which the study of the book, or of books, has been transformed in the past few years.(1) The subject has moved from its traditional areas of investigation, the history of
Caroline M. Barron’s book on London traces the history England’s largest medieval city, including its governmental structure, relations with the crown, its economy and guilds and its physical environment.
How do you write the history of buildings? This is not merely a rhetorical question, but a very real problem for anyone whose primary source material is timber or stone structures. The difficulty is that it is necessary to infer intent and function from objects which cannot speak and for which there is little written evidence.
The cover is a view from Stirling Castle: in the foreground a carved lion rampant, in the background the Wallace Tower, the Scottish national monument, raised by public subscription in 1859; in the valley below, Stirling Bridge somewhere near the site of William Wallace's victory over the forces of Edward I in 1297; just out of the picture, the field of Bannockburn.
The Winchester pipe rolls are among the very greatest monuments to medieval English administration and record-keeping.
In the bicentenary year of Trafalgar it is appropriate to remember that the history of Britain, its current situation and future prospects reflect an overwhelming geographical fact. Britain is a collection of islands at once alongside, but not attached to the European Continent.