Wasteland with Words is a very welcome addition to the small number of academic books about Iceland’s modern history available in English. The few other works on modern Icelandic history are largely written in Icelandic for local consumption.
A landmark moment in Holocaust history and memory occurred in 1989 when about 1,000 Kindertransport survivors attended their 50-year reunion in London. The event commemorated the transport of 10,000 children from Central Europe to safety in Britain. Launched on November 9, 1938, the transport continued for a year until the Nazis ended it when war was declared in September 1939.
In Handley Cross, an early Victorian sporting novel, Mr.
There is an argument for saying that there have been two particularly welcome developments in recent works of broadcasting history. The first of these is an increased attention to the role of radio and television in the creation and reproduction of national identity.
‘Structure’ is still an unfashionable word in history. Since the late 1980s, ‘post-structuralism’ (or, more commonly, its elastic cousin postmodernism) has seemed to dominate much historical writing and methodology. The ‘linguistic turn’ has sharpened historians’ attention to the power of language.
A recent edition of Society Now, the magazine of the Economic and Social Research Council, makes a compelling case for the substantial contribution of the social sciences towards ‘a healthy society, a productive economy and a sustainable world’.(1) Professor Mike Savage’s latest work plots the changing path of the social sciences through Britain’s post-war soc
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
In March 2011, BBC Two broadcast a 90-minute adaptation of Christopher Isherwood’s Christopher and His Kind (1976).(1) Leaving aside its possible merits and/or shortcomings, the airing of this TV-dramatisation was indicative of an on-going fascination with Isherwood’s portrayal of the decadent, Nazi-ridden Berlin of the Weimar Republic, captured most famously
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories: