When I was an undergraduate at the School of Oriental and African Studies (SOAS) in the early 1980s, the School had a motto: knowledge is power. Students of a radical inclination would denounce this explicit evocation of the School's imperial origins, and evidently the criticism took its toll.
On the opening page of her new book Privacy and Solitude in the Middle Ages, Diana Webb identifies its driving interests: first, 'in what medieval people regarded as reason or justification for retreating, permanently or temporarily, from the wider society, and secondly in their awareness of their dwelling spaces'.
In the introductory chapter to her engaging book, Ruth Watts remarks on the 'dissonance' between women and science and the seeming paucity of scholarly literature on the subject. Upon deeper investigation, however, Watts soon discovers that she is mistaken.
This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
The First World War Poetry Digital Archive was launched in late 2008. The site comprises a substantially revamped version of what was previously the Wilfred Owen archive and includes Oxford University’s virtual seminars for teaching literature online series.
On 8 February 2008, the Polish minister of culture announced that his government would not support the establishment of a centre in Berlin commemorating the expulsion of Germans and other ethnic minorities in the 20th century.
On 18 September 1938, British policymakers, shocked by Hitler’s evident readiness to go to war over the Sudetenland, the German-speaking fringe of territory around the western half of Czechoslovakia, offered to guarantee what remained of Czechoslovakia once it renounced its alliances with France and the Soviet Union and agreed to transfer the territory in question to Germany.
When one is sent such an item to review one inevitably speculates why. Is one a known purveyor of hot air? Or just vulgar and unshockable?(1) Is one being set up for Max Reger’s response to a music critic? 'Ich sitze in dem kleinsten Zimmer in meinem Hause. Ich habe ihre Kritik vor mir.
General Edward Braddock’s failure to capture the French Fort Duquesne and his defeat at the Battle of Monongahela on 9 July 1755 is often cited as a turning point in the European contest for North America leading to what the English called the Seven Years’ War (1756–63).
In this intellectually stimulating book Andrew C. Thompson criticises a realist interpretation of British foreign policy. His main argument runs that eighteenth-century foreign policy 'was not simply determined either by the desire for profit or territorial gain. It was part of a complex web of ideas that were intimately related to a broader political culture' (p. 2).