Extraordinarily, Nick Daly’s The Demographic Imagination and the Nineteenth Century is the 97th book published in CUP’s ‘Cambridge Studies in Nineteenth Century Literature and Culture’ series, under the general editorship of Gillian Beer.
Popular newspapers in Britain are commonly criticised for providing unsophisticated, distasteful and intrusive journalism, driven by an aggressive pursuit of exclusives and an unscrupulous desire for profit.
For much of the last century the literature on the history of documentary film was small and virtually every book-length contribution intimately familiar to its committed but specialist readership.
Towards the end of this fascinating study, Heather Shore reflects on the difficulty of ‘trying to uncover or reconstruct something that does not exist in a concrete form’ (p. 192). For Shore, the ‘underworld’ is a ‘cipher’, through which the press, the police, the government, and the wider society represents, and tries to understand, crime as a social problem.
In between small model spitfires and Sherman tank key rings, visitors browsing the shelves of the Imperial War Museum’s gift shop will find their gaze met by the reassuringly familiar smile of a round-faced rag doll, beaming from the side of a tote bag.
Romance and the Gentry in Late Medieval England is, above all, a well-researched and enjoyable book, designed to persuade the reader of the relationship between the late medieval gentry, romance and book production.
The general outline for this project, when the call for papers first appeared in June 2013, requested contributions for essays on the entertainments and popular culture of the First World War, offering a lot of promise for the study of humour in an historical context, which has, it would seem, only recently become of interest to cultural historians.(1) As a self-procla
The historiography of the French Revolution is a diverse and ever expanding field. It is an eminently useful idea to produce a guide to it, though not one Oxford University Press is alone in having.
Guido Ruggiero’s new social and cultural history of Italy between 1250 and 1575 begins at the end of the world and ends at the beginning of the ‘Great Social Divide’.
Samuel Pepys is not a man who requires an introduction, but this new book by Kate Loveman provides a fresh look into Pepys’s social life, by pointing out how this was shaped and expanded by Pepys’s love for books.