Midst the foe, and the stranger she seeks not renown
She courts not their smiles, and she heeds not their frowns
Could she only impart unto childhood and youth
The science of God, of religion, and truth... (p. 110)
‘Structure’ is still an unfashionable word in history. Since the late 1980s, ‘post-structuralism’ (or, more commonly, its elastic cousin postmodernism) has seemed to dominate much historical writing and methodology. The ‘linguistic turn’ has sharpened historians’ attention to the power of language.
A recent edition of Society Now, the magazine of the Economic and Social Research Council, makes a compelling case for the substantial contribution of the social sciences towards ‘a healthy society, a productive economy and a sustainable world’.(1) Professor Mike Savage’s latest work plots the changing path of the social sciences through Britain’s post-war soc
‘There is no salvation without preaching’ declared Thomas Cartwright, at the height of the Admonition controversy (p. 32). Nehemiah Wallington agreed – and he couldn’t get enough of it. One week he managed to squeeze in 19 sermons, a remarkable achievement, though his average of 30 a month may not have been so unusual.
Ever since R. I. Moore published his The Formation of a Persecuting Society in 1987, we have increasingly come to understand medieval society in terms of its treatment of its ‘others’: Jews, lepers, heretics and so forth.(1) New bureaucratic structures starting in the 11th century established themselves by persecuting these minorities.
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
In March 2011, BBC Two broadcast a 90-minute adaptation of Christopher Isherwood’s Christopher and His Kind (1976).(1) Leaving aside its possible merits and/or shortcomings, the airing of this TV-dramatisation was indicative of an on-going fascination with Isherwood’s portrayal of the decadent, Nazi-ridden Berlin of the Weimar Republic, captured most famously
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories:
I was worried when I saw the title of this book. Was it a history of publishing? Or a history of Arif Ali? And does ‘tribute’ mean when it was published by the object of the accolade? An autobiography?
Over the past 35 years, the Toronto-based Records of Early English Drama (REED) project has revolutionized the study of drama and other performing arts in the British Isles before 1642.