This book is committed to two main propositions, one general and one more particular.
The reviewer's first duty is easily accomplished. This is a feast of entertainment and instruction to the diplomatic historian (and even more to the undiplomatic historian) of Ireland, Britain, Europe, Israel, India, Burma, the British Commonwealth in general, South America, the U.S.A., and the United Nations.
The period from the late 1980s has seen a belated but growing interest in the social and cultural history of women's music life and Paula Gillett's elegantly written, widely researched and thought-provoking monograph is a welcome addition to the literature.
Historians and their publics: a consideration of Ludmilla Jordanova
In 1841, having unsuccessfully contested the Professorship of Natural History at University College London, W. S. Farquharson wrote to the College authorities as follows:
The historical significance of the First World War is taken for granted in most European countries. In Ireland, however, as Charles Townshend has noted, 'the memory of the war was for a long time marginalised.
Matthew Hilton has produced an extremely well written account of smoking in popular culture. It is crafted skilfully in an attractive prose style that fully reflects the call of the editor of the Studies in Popular Culture series for readable and accessible academic writing. In his debut monograph Hilton has established himself as an historian of real ability and great promise.
Published as part of Manchester University Press's new Studies in Popular Culture series, John Walton's latest addition to his incomparable canon of seaside studies forms part of a concerted effort by new social historians to question what makes appropriate and important history.
At a time when, particularly in the new universities and colleges of higher education, historians feel themselves in danger of being swept away by the advancing tide of vocationalism, any attempt to uphold the importance of the subject to the life of the nation is, one might think, to be welcomed.
The New Woman in Fiction and Fact marks a new departure in literary and historical studies of a fin-de-siècle icon. Scholarship on the New Woman has traditionally explored her status as a controversial figure whose unconventional behaviour signified, for some, the promise and for others, the bane of modern civilisation.
The enormously energetic working-class reading cultures occupying the core of Jonathan Rose’s magnificent study grew up from rather unpromising roots. For long periods, reading, like publishing, could be a dangerous business.