This is a wide ranging, specialist exhibition on peace activity and war resistance in Britain which is laid out in defined, chronological sections that run from the First World War to the 2003 Stop The War Coalition march in London.
Lesley Milne’s Laughter and War: Humorous-Satirical Magazines in Britain, France, Germany and Russia 1914–1918, offers a well written overview of the humour of four nations during the Great War, and in turn, four satirical magazines that provoked laughter in these combatant countries.
There is selectivity in many of the narratives of how animals’ lives have been shaped by warfare in the 20th century, which often focuses on their bravery and loyalty as they are used and abused on battlefields.
This book traces trajectories of medical understanding of mind, brain and nerves from pre- to post-war Britain and analyses the impact of the First World War with its shell shock ‘epidemic’ on established medical ideas and practices.
Edited volumes serve an important purpose: when executed correctly, they help consolidate a body of scholarship, encourage dialogue between the volume’s contributors and set an agenda for future research. The historical study of trauma has been well-catered for in this respect by Traumatic Pasts, edited by Mark S.
The BBC began broadcasting television programmes from its own studios in 1932 and launched a regular TV service in 1936, only to shut it down when, three years later, Great Britain declared war on Germany. Edward Stourton’s Auntie’s War: The BBC during the Second World War is therefore about radio, and in particular the tug of war within the corporation between 1939 and 1945.