This book is an excellent contribution to our historical understanding of London, of gender and of labour markets.
Matthew Hilton has produced an extremely well written account of smoking in popular culture. It is crafted skilfully in an attractive prose style that fully reflects the call of the editor of the Studies in Popular Culture series for readable and accessible academic writing. In his debut monograph Hilton has established himself as an historian of real ability and great promise.
This work complements the author’s previous study on the longer-term origins of the French Revolution (1), and like that text, makes a forceful case for Stone’s ‘global-historical’ conception (what was an ‘interpretation’ in the earlier text becoming a ‘perspective’ in this.) That
The enormously energetic working-class reading cultures occupying the core of Jonathan Rose’s magnificent study grew up from rather unpromising roots. For long periods, reading, like publishing, could be a dangerous business.
On the cover of the book is a photograph of the Jefferson Memorial in Washington, DC, taken by Robert Y. Kaufman. Here, Thomas Jefferson stands silent and stoic, silhouetted against an orange fading sky, and flanked, perhaps even incarcerated, by the appropriately neo-classical columns of the Memorial.
The articulation of a national network of elementary schools in England and Wales after 1870 and legislation to compel attendance at these schools from 1880 created marvellous opportunities for publishers. School authorities were major purchasers and the children in their schools a captive audience.
This collection of essays arises from a conference hosted by the Centre for Metropolitan History at the Institute of Historical Research on 13 April 2000 entitled ‘Revisiting the Livery Companies’.
Pornography used to be regarded as ephemeral, trivial and unimportant. Insofar as it had a history, it was as one aspect of the long battle for, and ultimate triumph of, free speech. Histories of literary censorship and legal obscenity by writers like H.
Writing in the weekly journal the New Statesman on 17 March 2003, the columnist Cristina Odone praised British troops in the Gulf for enduring the privations of active service without complaint. Quoting Henry Newbolt’s invocation of British chivalry in Vitai Lampada, in which British soldiers remember their schoolboy selves and resolve to 'Play up! Play up!
This substantial volume is about more and less than the title indicates. Jill Harsin, known to specialists of nineteenth-century France for her earlier book, Policing Prostitution in Nineteenth-Century France (Princeton University Press; Princeton, 1985) has here produced a detailed narrative of the role of Paris artisans in revolution and popular unrest between 1830 and 1848.