The early 14th-century writer John Quidort of Paris once argued that legal norms should not be deduced from unique events that took place in specific circumstances.(1) Nevertheless, it might be suggested that anecdotes may occasionally prove instructive.
The continuing importance of Ignatian spirituality and the Society of Jesus is hard to deny these days especially in the wake of the recent election of the first Jesuit as pope. It certainly helps to explain the flurry of biographies on the founder of the order in the last two decades alone.
The period of medieval intellectual history covered by this book, primarily the 12th and 13th centuries, is one that has received considerable attention for well over a century. The main question, then, is what does Ian Wei bring to this subject that has not been done before, or how has he reshaped it? The answer is he has done much in both respects.
Ronald Witt’s new book serves as a prequel to his highly-praised volume, In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni.(1) If the Footsteps volume located the genesis of humanism in the epistolary and literary compositions of late 13th-century Padua (whereby as a consequence the traditional ‘father of humanism,’ Petra
For much of the late 20th century, the political leaders of the French Revolution were discussed by major historiographical schools as more or less puppets – either, in the Marxian formulation, of class interests, or, in the Furetian, of unchained political discourses.(1) Fortunately for them and us, other historiographical strands have continued to develop in other wa
These are the first two volumes of a new series, Histoire de la France contemporaine. They replace the previous Seuil series, published in the 1970s. As a reflection of the attitudes of current French academic specialists, they are interesting on two levels. Each is a careful synthesis of recent research on the two periods.
The sub-title says it all. This is a book about the elites of Belle Epoque Paris, primarily about the cultural elites, but also about their patrons, high society, industrialists and fashion designers, and all those who made the headline contributions to that Paris which sticks in the popular imagination.
Reading and Writing Recipe Books, 1550–1800 includes 11 rigorously documented essays addressing a genre that began to attract attention following Susan Leonardi’s 1989 article, ‘Recipes for reading: Summer pasta, lobster a la Riseholme, and Key Lime Pie’.(1) The editors, Michelle DiMeo and Sarah Pennell, seek to demonstrate how far the study of medical/culinar
Electromagnetism, photographic reproduction, grand operas, phantasmagorias, automatons and socialist utopias: what do these have in common? According to John Tresch, they were all manifestations of a common ‘mechanical romanticism’ that permeated Paris between the fall of the first Napoleon in 1815 and the triumph of his nephew Napoleon III in 1851.
The beginnings of Europe is not a very complicated historical subject. After the end of Roman domination in the fifth century CE, so-called ‘successor states’ grew up in the territories and around the margins of what had been the Western Roman Empire, and out of those states grew France, Spain, Italy and (with greater complications) England and Germany.