The late Middle Ages are a challenging period to survey and synthesise. Any attempt to summarise their complexity, chaos, and dynamism within a restricted publisher’s word limit and at the same time provide an effective textbook for undergraduates is fraught with issues of coverage, comprehensiveness, and accessibility.
Hamilton’s book is an important contribution to our understanding of church reform in the 11th century.
David Wootton discloses to the reader on page 182 that his aim is to provide an intellectual biography of Galileo Galilei. But this book does not. Wootton's aim is rather to re-enter, re-open or even unhinge the structures of all arguments about the so-called Galileo affair that have been written until now.
Ever since R. I. Moore published his The Formation of a Persecuting Society in 1987, we have increasingly come to understand medieval society in terms of its treatment of its ‘others’: Jews, lepers, heretics and so forth.(1) New bureaucratic structures starting in the 11th century established themselves by persecuting these minorities.
‘I am the Lord thy God, mighty, jealous, visiting the iniquity of the fathers upon the children, unto the third and fourth generation of them that hate me: And showing mercy unto thousands to them that love me, and keep my commandments’ (Ex. 20:5–6). Medieval crusaders, argues Susanna A.
Mary Laven has established herself as a competent historian, writing on a variety of aspects centred on the Venetian Renaissance. The present book is the first contribution to take her out of Europe, at least in geographical terms.
Scholarly research on the Holocaust, carried out in many disciplines but especially in the field of history, is dynamic and constantly progressing; several giant leaps in its expansion can be discerned, mainly since the end of the 1970s.
The challenge in writing a comparative review of Kate Lowe’s fine study of early modern Italian convents Nuns’ Chronicles and Convent Culture with Sarah Dunant’s gripping novel Sacred Hearts is to find ways of making sense of the experience of reading both beyond stating the obvious.
Penelope Fitzgerald’s historical novel The Beginning of Spring, set in Moscow in 1913 but written at the height of perestroika, conveys an ambivalence familiar to those of us who spent time there during the Gorbachev years.
This collection of essays, first presented at the Harlaxton Symposium in 2009, brings together a range of researchers interested in the intellectual and cultural history of Europe, under two equally broad and controversial themes. Frances Andrews's introduction goes some way to binding the ideas together.