Most medievalists would be able to cite an example of the close parallels in symbolic thinking about the city and world in the Middle Ages, whether along the lines of ideas of Rome as caput mundi or Augustine’s Two cities.
Introduction: trauma, modernity, and the First World War
Historians of nursing in Britain have long been fighting for a place in the history of medicine. For example, of the 718 pages of text in Roy Porter’s best-selling The Greatest Benefit to Mankind, only five are concerned with nursing, and these, inevitably, with Florence Nightingale and 19th-century hospital reform.
This edited collection of essays, published to mark the 20th anniversary of the journal Gender and History, is a welcome and timely reminder of the way in which gender and women’s history has successfully challenged historical orthodoxies, has been used to scrutinize and enrich established timeframes for the past and has vividly exposed the way in which female agency has too often been
Celebrity is becoming a hot topic for academics of all kinds, witnessed by the launch of the journal Celebrity Studies earlier this year.
The First World War was a terrible experience that most soldiers were shocked by once they became active participants. How were soldiers’ able to cope with the grim realities of this war? How were they able to keep going in spite of losing close friends and comrades in one battle after another?
The title of this volume is something of a misnomer or, at least, there is a crucial word missing from it.
Ever since R. I. Moore published his The Formation of a Persecuting Society in 1987, we have increasingly come to understand medieval society in terms of its treatment of its ‘others’: Jews, lepers, heretics and so forth.(1) New bureaucratic structures starting in the 11th century established themselves by persecuting these minorities.
In March 2011, BBC Two broadcast a 90-minute adaptation of Christopher Isherwood’s Christopher and His Kind (1976).(1) Leaving aside its possible merits and/or shortcomings, the airing of this TV-dramatisation was indicative of an on-going fascination with Isherwood’s portrayal of the decadent, Nazi-ridden Berlin of the Weimar Republic, captured most famously
The thesis and value of Andrew Elliott’s new study of ‘medieval film’ are neatly encapsulated by his reminding us at the end of the book’s preface that, in the medieval tradition, the Grail quest involved asking, not answering, the right questions.