In his classic thriller Greenmantle, first published in 1916, John Buchan describes his hero Richard Hannay’s first encounter with his adversary, the German officer Colonel Ulrich von Stumm, in a fashion which hints at a hidden strain of sexual deviance within the German armed forces:
As April turned to May, the world stood on edge. From 1914-18, a worldwide conflagration claimed the lives of 16 million people and produced an additional 20 million wounded. Despite the end of hostilities on the 11th hour of the 11th day of the 11th month of 1918, a final peace remained elusive – and the suffering continued.
In the introduction to his illuminating monograph The Italian Army and the First World War, John Gooch laments the state of the current historiography that has marginalised – and continues to marginalise – the so-called ‘minor’ theatres and ‘lesser’ armies of the Great War.
During his long and distinguished career David French, Professor Emeritus in the History Department at University College London, has published many highly respected works.(1) He has now added to this list with the exceptional Fighting EOKA: the British Counter-insurgency Campaign on Cyprus, 1955–1959.
The disintegration of communist federations at the end of the Cold War represented the most momentous reconfiguration of the boundaries of Eastern Europe since 1945.
The general outline for this project, when the call for papers first appeared in June 2013, requested contributions for essays on the entertainments and popular culture of the First World War, offering a lot of promise for the study of humour in an historical context, which has, it would seem, only recently become of interest to cultural historians.(1) As a self-procla
The 70th anniversary of the Allied victory over the Nazi regime and of the liberation of the camps led to a renewed interest in the Nazi rule over much of Europe and, even more so, in the Holocaust. Unsurprisingly, a number of new studies were and still are being published, many of which discuss the meaning that the Holocaust holds for us today.
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
We have here two very different books utilizing two very different approaches to essentially the same period of history in Europe. And while the differences are enormous, each is excellent in its own way and both are major contributions to the historiography of Europe in the first half of the 20th century.
Tim Snyder’s ambitious Bloodlands set out to place the murderous regimes of the Third Reich and Stalin’s Soviet Union in their overlapping European contexts.