In Forging Islamic Power and Place Francis Bradley (Pratt Institute) speaks to a broad audience of historians, religious studies scholars and, most specifically, students of Islamic intellectualism. The crux of the study is based upon the analysis of 1,300 manuscripts that have received minimal scholarly attention to date (p.
Russia’s tsars ruled over more Muslims than any other empire in the world.
Naturalistic and atheistic worldviews have a long history in Western philosophy, but there was no identifiable culture of atheism within Europe until the 18th century. Prior to then, the number of genuine atheists in European countries was probably very small.
In The Ethnographic State: France and the Invention of Moroccan Islam, Edmund Burke does the important work of historicizing colonial-era research on Morocco and Moroccans.
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
The cover of Lindsey Earner-Byrne’s brilliant new book, Letters of the Catholic Poor: Poverty in Independent Ireland 1920–1940, features a collage of letters. One details a husband’s illness, another is a postcard of the Wellington Monument from Dublin’s Phoenix Park with ‘very urgent’ underlined on its face. A further letter pleads for assistance from Fr.
This is the eight volume of the series on the archbishops of Canterbury, which began life with Ashgate and has now passed to Routledge, and Michael Hughes’ book does not disappoint. Randall Davidson is the third of the 20th century archbishops to be so treated (the 2015 volume on Michael Ramsey was the work of this reviewer), and the book adopts a similar approach to the others.
Since the turn of the millennium it has become increasingly common for general histories of magic and witchcraft to include a section on the phenomenon of magic in the contemporary western world, but the precise relationship between contemporary manifestations of magical belief and their historical antecedents is rarely explored.
When viewed in a long perspective, the modern history of popular music has very often been one in which new styles are adopted by the young in spite of (and indeed because of) the incomprehension and disapproval of their elders, only to enter the mainstream as those young people age.