One of the most memorable and unsettling works of historical fiction to appear in the last 15 years is Louis de Bernières’ Birds without Wings, which tells the stories of the inhabitants of Eskibahçe, a fictional village in the Ottoman Empire, in the years before, during and after the First World War.
Heinrich Himmler apart, former poultry farmers don't figure much in the bibliography of military history. Martin Middlebrook, however, proves to be the outstanding exception. With this one book, his first, Middlebrook prised open a new window onto Great War studies in general, and in particular onto the 1916 Battle of the Somme.
Hardly had the fighting petered out on the Somme in November 1916 than one American reviewer, W. S. Rusk, was warning scholars that much writing about the Great War would be lost to the ‘winnowing flail of time’.(1)
The cover of Jan Rüger’s Heligoland shows a small, forbidding and desolate rock surrounded by inclement seas and with no sign of human habitation. This unwelcoming glimpse of land from afar – as so often the case with islands – will prove to be misleading. It gives no sense of the history on a grand scale that is to come.
Lesley Milne’s Laughter and War: Humorous-Satirical Magazines in Britain, France, Germany and Russia 1914–1918, offers a well written overview of the humour of four nations during the Great War, and in turn, four satirical magazines that provoked laughter in these combatant countries.
Over 80,000 cases of shell-shock were officially recognised by British Army personnel during the First World War. The diagnosis remains a culturally and historically resonant symbol of the First World War in Britain. Its significance has been influenced by the famous post-war memoirs of ex-servicemen who recounted their personal experiences of shell-shock.
One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
Andrew Tompkins’ book, Better Active than Radioactive!, sets out to examine anti-nuclear protest in the 1970s in a comparative framework. His focus on anti-nuclear activists in France and West Germany leads him to argue that transnational cooperation and interconnection in the anti-nuclear movement was much more marked that we traditionally assume.