Laura E. Nym Mayhall begins her book by re-telling the familiar story of the arrest in 1909 of Marion Wallace Dunlop, a member of the Women’s Social and Political Union (WSPU), which led to her imprisonment and notoriety as the ‘first hunger striker’. In doing so, she focuses on the action that led to the arrest.
The central theme of this book can be summed up as ‘neither electoral sociology nor linguistic turn’. Instead, its author emphasises the micro context of politics – how local social and cultural milieux shaped the reception of political ideas, and hence the fortunes of political parties.
Simon Potter’s book is a study of ‘imperial integration’ through the analysis of what he terms ‘an imperial press system’ which emerged in the late nineteenth and early twentieth centuries (p. 1). It focuses on the Dominions of Britain, or what has in recent historiography been referred to as the ‘British world’, embraced by a common sense of Britishness.
Early and silent cinema is generally ghettoised in popular culture. Early film, British or otherwise, is mostly seen by the public on television as illustrations for documentaries and is rarely, if ever, the subject of them. Yet the study of early British cinema is the study of a still relevant, living entity.
In 1936, the world seemed precariously poised between peace and war, fascism and communism, democracy and dictatorship, hope and despair. Each international event – Spanish and French Popular Front election victories, the continued Italian campaign in Abysinnia, the factory occupations in France, civil war and foreign intervention in Spain - confirmed this instability.
When she was interviewed by Dale Spender in 1983 for a book about early twentieth century feminists, the veteran activist Mary Stott was probed in detail about her life.
The cover is a view from Stirling Castle: in the foreground a carved lion rampant, in the background the Wallace Tower, the Scottish national monument, raised by public subscription in 1859; in the valley below, Stirling Bridge somewhere near the site of William Wallace's victory over the forces of Edward I in 1297; just out of the picture, the field of Bannockburn.
Margot Finn’s book The Character of Credit: Personal Debt in English Culture, 1740–1914 is the first volume in a new series published by Cambridge University Press (Cambridge Social and Cultural Histories) which seeks to draw social and cultural history more closely together.
Until 1975 those who wanted to study the history of English prisons turned to the standard work on the subject which was first published in 1922, English Prisons Under Local Government, by the two pioneers of the history of English Social Policy Sidney and Beatrice Webb.(1) This carefully researched account emphasised the evolution of the
With over seven hundred volumes published, the Variorum Collected Studies Series has branched out considerably from its origins in late antique and medieval history. Recent forays into imperial history, for example, have generated collections of articles by some of the biggest names in the field.