Saints in Exile

The Holiness-Pentecostal Experience in African American Religion and Culture
Author(s): 
Sanders, Cheryl J.
ISBN: 
0195131010
Date published: 
January 1999
Paperback
Price: 
£15.95
Pages: 
192

Saints in Exile studies, from an insider's perspective, the worship practices and social ethics of the African American family of Holiness, Pentecostal, and Apostolic churches known collectively as the Sanctified Church. Cheryl Sanders identifies the theme of exile, both as an idea and an experience, as the key to understanding the dialectical nature of African American religious and intellectual life, that W.E.B. Du Bois called "double-conscious." Sanders's saints in exile are a people who see themselves as "in the world but not of it"; their marginalized status is both self-imposed and involuntary, a consequence of racism, sexism and other forms of elitism. When joined with the biblical tropes of homecoming and reconciliation, the concept of exile serves as a vital vantage point from which to identify, critique, and remedy the continued alienation of blacks, women, and the poor in the United States. Sanders's interpretive approach clarifies many paradoxical features of black existence, especially the peculiar interplay of the sacred and the secular in African American song, speech, and dance. She particularly scrutinizes gospel music, a product of the Sanctified worship tradition th at has had a significant influence on popular culture. Saints in Exile goes further than any previous study in illuminating the African American experience; it will be welcomed by scholars and students of American religion, African American studies, and American History.

Sanders studies the worship practices and social ethics of the African American family of Holiness, Pentecostal, and Apostolic churches known collectively as the Sanctified Church. She explores several major themes in African American religious and intellectual life from the 'exilic' perspective of the Sanctified Church tradition, including the impact of gospel music upon popular culture, the relationship between black religion and black power, and the ecumenical, egalitarian witness of the Christian faith.

"Her 'insider' perspective pays off in insights often missing in black theology."--Robert Franklin, Candler School of Theology