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Historical Journal of Film, Radio and Television articles

Volume 37 (4)

Greece on Air: Engagements with Ancient Greece on BBC Radio, 1920s–1960s
vol. 37 (4): 746-748
Greece on Air: Engagements with Ancient Greece on BBC Radio, 1920s–1960s
vol. 37 (4): 746-748
Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia
vol. 37 (4): 748-749
Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia
vol. 37 (4): 748-749
The Man from the Third Row: Hasse Ekman, Swedish Cinema and the Long Shadow of Ingmar Bergman
vol. 37 (4): 750-751
The Man from the Third Row: Hasse Ekman, Swedish Cinema and the Long Shadow of Ingmar Bergman
vol. 37 (4): 750-751
China and the Chinese in Popular Film: from Fu Manchu to Charlie Chan
vol. 37 (4): 751-753
China and the Chinese in Popular Film: from Fu Manchu to Charlie Chan
vol. 37 (4): 751-753
Sounds of Fear and Wonder: Music in Cult TV
vol. 37 (4): 753-754
Sounds of Fear and Wonder: Music in Cult TV
vol. 37 (4): 753-754
The Colonial Documentary Film in South and South-East Asia
vol. 37 (4): 754-756
The Colonial Documentary Film in South and South-East Asia
vol. 37 (4): 754-756
Activist Film Festivals: Towards a Political Subject
vol. 37 (4): 756-758
Activist Film Festivals: Towards a Political Subject
vol. 37 (4): 756-758
British Children’s Cinema: From the Thief of Bagdad to Wallace and Gromit
vol. 37 (4): 758-760
British Children’s Cinema: From the Thief of Bagdad to Wallace and Gromit
vol. 37 (4): 758-760
Acting for the Silent Screen: Film Actors and Aspiration between the Wars
vol. 37 (4): 760-762
Acting for the Silent Screen: Film Actors and Aspiration between the Wars
vol. 37 (4): 760-762

Volume 37 (3)

The Stanley Kubrick Archive: A Dossier of New Research
vol. 37 (3): 367-372
The Stanley Kubrick Archive: A Dossier of New Research
vol. 37 (3): 367-372
Stanley Kubrick: Known and Unknown
vol. 37 (3): 373-395
Stanley Kubrick: Known and Unknown
vol. 37 (3): 373-395
Epicentre of an Earthquake: The Literary Sources of Full Metal Jacket (1987)
vol. 37 (3): 396-415
Epicentre of an Earthquake: The Literary Sources of Full Metal Jacket (1987)
vol. 37 (3): 396-415
What was HAL? IBM, Jewishness and Stanley Kubrick’s 2001: A Space Odyssey (1968)
vol. 37 (3): 416-435
What was HAL? IBM, Jewishness and Stanley Kubrick’s 2001: A Space Odyssey (1968)
vol. 37 (3): 416-435
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet
vol. 37 (3): 436-454
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet
vol. 37 (3): 436-454
‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom
vol. 37 (3): 455-474
‘They’ll Be Dancing in the Aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom
vol. 37 (3): 455-474
Industrial organization of film exhibitors in the Low Countries: comparing the Netherlands and Belgium, 1945–1960
vol. 37 (3): 475-498
Industrial organization of film exhibitors in the Low Countries: comparing the Netherlands and Belgium, 1945–1960
vol. 37 (3): 475-498
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951)
vol. 37 (3): 499-516
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951)
vol. 37 (3): 499-516
Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association
vol. 37 (3): 517-538
Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association
vol. 37 (3): 517-538
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film
vol. 37 (3): 539-558
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film
vol. 37 (3): 539-558
Whatever happened to the British ‘B’ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s
vol. 37 (3): 559-576
Whatever happened to the British ‘B’ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s
vol. 37 (3): 559-576