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Lee Grieveson’s bold historical analysis of the relationship between media and capital is nothing if not timely. As I write, a new wave of consolidation among traditional telecommunication and media companies in America is concentrating unprecedented wealth and power in the hands of an ever-narrowing elite.
50 or 60 years ago the market for organic food (as now defined) was vanishingly small, less than 0.1 per cent of the market in European countries, according to one estimate.(1) Organic farming at that time was derided by most farmers in the UK as a matter of ‘muck [i.e.farmyard manure] and mystery’.
The history of eugenics continues to provide new and challenging ways to interpret the some of the major developments in social policy and social work during the 20th century, from child welfare, public health, and family planning, to the institutionalisation of disabled persons and the treatment of mentally ill.
‘Risen from the ruins and facing the future’ affirmed Johannes Becher’s emphatic opening strophe to the national anthem of the German Democratic Republic (GDR), composed in that state’s birthyear of 1949. It was a stirring message, and one that amply reflected the political imperative that had come to suffuse the material task of reconstruction after six years of devastating war.
Dame Anne Salmond is one of New Zealand’s most respected public anthropologists and historians. No one has so effectively and lucidly crossed over between the two disciplines in New Zealand scholarship.
The relief and resettlement of Europe’s unaccompanied and displaced children in the immediate aftermath of the Second World War has recently received considerable scholarly scrutiny. The two books reviewed here, while different in scope and methodology, are both welcome additions to the growing literature on the topic.
After Emigrant gentlewomen: Genteel poverty and female emigration, 1830-1914, Cruelty and Companionship: Conflict in Nineteenth Century Married Life , and Ten Pound Poms: A life history of British postwar emigration to Australia with Alistair Thomson, A.
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
Ikuko Asaka opens this ambitious book by referencing the climatic and geographic rebuttal of black journalist and abolitionist Mary Ann Shadd.
When viewed in a long perspective, the modern history of popular music has very often been one in which new styles are adopted by the young in spite of (and indeed because of) the incomprehension and disapproval of their elders, only to enter the mainstream as those young people age.