Browse all Reviews
It is difficult to believe now that generations of scholars in the 20th century argued with insistence that the indigenous cultures of the Americas were destroyed by European imperial expansion.
The history of eugenics continues to provide new and challenging ways to interpret the some of the major developments in social policy and social work during the 20th century, from child welfare, public health, and family planning, to the institutionalisation of disabled persons and the treatment of mentally ill.
In The Loyal Republic, Erik Mathisen attempts to redefine the way Americans saw themselves, their citizenship and loyalty in the Civil War era.
As a scholar of Grant, I have come to view the news of the publication of each new Grant biography with trepidation. As almost every biographer of Grant has explained at the beginning of their magnum opus, Grant was an extremely complex man whose abilities bemused even his closest friends and allies.
Ikuko Asaka opens this ambitious book by referencing the climatic and geographic rebuttal of black journalist and abolitionist Mary Ann Shadd.
When viewed in a long perspective, the modern history of popular music has very often been one in which new styles are adopted by the young in spite of (and indeed because of) the incomprehension and disapproval of their elders, only to enter the mainstream as those young people age.
About 40 years ago, the field of US intellectual history entered a period of self-doubt about the rigor of its methods, about the narrowness of its archive and its interests, even about the ontological gravity of the subjects it treated.
The fight for marriage equality in the United States, which made significant progress in 2015 with the Supreme Court ruling that ‘no American can be denied the freedom to marry because of their sexual orientation’, highlighted that access to marriage has long been the privilege of those who conformed to normative ideas of sexuality and domesticity prescribed by the elite and powerful.
Historians have been fighting about the causes and effects of the Civil War since they were using quill pens, and they figure to keep doing so until long after the laptop computer on which this is written has become an antique. Now Adam I. P.
Richard Carwardine, an acclaimed Lincoln biographer and coeditor of a highly original book of essays on Lincoln's worldwide image, has now turned his attention to the entertaining subject of Lincoln's humor.