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Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
A Day at Home in Early Modern England does precisely as the title suggests – it takes its reader through the minutiae of a day in early modern England in painstaking detail using a combination of literary sources, historical documents (including court records, wills and inventories) and household objects.
As a scholar of Grant, I have come to view the news of the publication of each new Grant biography with trepidation. As almost every biographer of Grant has explained at the beginning of their magnum opus, Grant was an extremely complex man whose abilities bemused even his closest friends and allies.
Ikuko Asaka opens this ambitious book by referencing the climatic and geographic rebuttal of black journalist and abolitionist Mary Ann Shadd.
When viewed in a long perspective, the modern history of popular music has very often been one in which new styles are adopted by the young in spite of (and indeed because of) the incomprehension and disapproval of their elders, only to enter the mainstream as those young people age.
After the signing of the Treaty of Waitangi/Te Tiriti o Waitangi on 6 February 1840, competing British and Maori sovereignties were established in New Zealand due to the contradictory English and Maori translations of the agreement.
Christian Liddy argues that the notion of a ‘citizen’ was not the preserve of abstract medieval thinking, based on classical modes, but a living concept that had pervaded urban life since the 13th century. It was evident in residents’ writings, speech, and actions. This also meant that citizenship was mutable and contestable in its ideas and practices.
Bought by the Harry Ransom Center for a reported $2,000,000, the around 270,000 papers of Gabriel García Márquez’s personal archive – collected in 79 document boxes, 15 oversize boxes, 3 oversize folders and 67 computer disks – provides a literally inexhaustible archive on his life and work.
After publishing his first monograph in 2014 on communism in Cyprus, Yiannos Katsourides has backed this up with this book on the emergence of the Greek Cypriot nationalist right. While the former looked at communism until the formation of AKEL in 1942, this latest work extends the period of focus until the end of the British colonial period.
About 40 years ago, the field of US intellectual history entered a period of self-doubt about the rigor of its methods, about the narrowness of its archive and its interests, even about the ontological gravity of the subjects it treated.