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The field of queenship is continually expanding and drawing attention from scholars. Over the years, and especially through the Queenship and Power series at Palgrave Macmillan, a notable number of studies have emerged highlighting the importance of queens as consorts, regnants, and regents during the early modern period.
Cathy McClive’s monograph sets out to dispel the myth of what she calls ‘menstrual misogyny’ (p. 1). That is, the belief across early modern Europe that menses and the menstruating female body, were inherently toxic and polluting.
Containing a diverse range of essays on the experiences of early modern women from female investors to indentured servants, Challenging Orthodoxies: The Social and Cultural Worlds of Early Modern Women is an important contribution to the growing body of research on early modern female experience. First presented at a conference held in honour of Hilda L.
This edited collection fills some important gaps in the historiography of rulership and the interactions between royal couples, particularly in cases when the man is not the legitimate heir.
The past two decades have seen a flourishing of scholarship devoted to female Catholic piety in early modern Europe, which has helped to balance the substantial historiography on women and the Protestant Reformation.
With essays detailing everything from the experiences of old women to an examination of convent music, The Ashgate Research Companion to Women and Gender in Early Modern Europe promises ‘a comprehensive and authoritative state-of-the art review’ of historiography pertaining to the lives of women between 1400 and 1800 (p. ii).
Elena Woodacre’s book on the five female sovereigns of the medieval Pyrenean kingdom of Navarre is a timely study considering the latest scholarship on politically active queens in medieval Iberia. This scholarship on ruling women, however, has focused predominantly on individual queens.
This collection of essays edited by Debra Barrett-Graves provides new ways of interpreting the symbolic images through which Renaissance queens shaped their identity and royal authority. In bringing together different approaches and sources, the authors use the methodologies of several disciplines: literature, history, art history and cultural studies.
Michel Foucault famously asserted that sexual identity was a modern invention, remarking, ‘The sodomite had been a temporary aberration; the homosexual was now a species’.(1) For Foucault, the vocabulary and specificity of modern sexual identity were largely formulated under the impetus of 19th-century sexology.