‘Risen from the ruins and facing the future’ affirmed Johannes Becher’s emphatic opening strophe to the national anthem of the German Democratic Republic (GDR), composed in that state’s birthyear of 1949. It was a stirring message, and one that amply reflected the political imperative that had come to suffuse the material task of reconstruction after six years of devastating war.
When viewed in a long perspective, the modern history of popular music has very often been one in which new styles are adopted by the young in spite of (and indeed because of) the incomprehension and disapproval of their elders, only to enter the mainstream as those young people age.
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
It is difficult to believe now that generations of scholars in the 20th century argued with insistence that the indigenous cultures of the Americas were destroyed by European imperial expansion.
The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.
Catriona Murray’s Imaging Stuart Family Politics is an impressive book, both for its high level of original research, and for its balance of academic sophistication with accessibility.
Daniel Livesay’s first monograph comes at an opportune moment. With the recent release of digital projects such as the University of Glasgow’s Runaway Slaves in Britain database, historical attention has focused in on the lives of people of colour in early modern Britain.
In one memorable incident related in Keith Thomas’s In Pursuit of Civility: Manners and Civilization in Early Modern England, an unfortunate diner fell victim to poor table manners.
At the end of December 1756, Admiral John Byng was put on trial for breaching the Articles of War, instructions set out by the Royal Navy in 1749 to establish and regulate martial behaviour. Byng, who had commanded a fleet of ships during the Battle of Minorca in the late spring of 1756, was accused of failing to do his utmost during the combat.
There are few historical events with a cultural legacy as enduring as that connected to the Second World War. The conflict occupies an important place within many personal, as well as national, narratives. Those interested in its history and heritage are confronted by an enormous range of writing, on a wide variety of themes.