Of late, the Virgin Mary has become somewhat fashionable in academic circles. This prominence reflects her long-lasting cultural influence as an international historic and spiritual figure.
The Rituals and Rhetoric of Queenship; Medieval to Early Modern is a collection of papers which originated in a conference held at Canterbury Christ Church University in August 2006.
This study is the fruit of more than a quarter of a century’s work dedicated to overcoming the neglect of women in traditional histories of Scottish education.
In his new study of Anne Boleyn, George Bernard at no point defines the ‘fatal attractions’ to which his title refers. There is not even an assurance that no rabbits were harmed in the making of the book. Perhaps the title is deliberately polysemous, for we might think of at least six fatal, or metaphorically fatal, attractions exercised by the queen.
This edited collection of essays, published to mark the 20th anniversary of the journal Gender and History, is a welcome and timely reminder of the way in which gender and women’s history has successfully challenged historical orthodoxies, has been used to scrutinize and enrich established timeframes for the past and has vividly exposed the way in which female agency has too often been
Barbara Hately-Broad’s purpose is to insert the neglected subject of British prisoner-of-war (POW) families into the history of army, navy and air force families during the Second World War, a subject that is itself rather thinly tackled by historians.
In 1886 the Glasgow Prayer Union (GPU) remembered in their customary prayers a woman across whom one of its ‘ladies’ had come. She had been ‘found lying very drunk near Cattle Market with young infant’. Concerned for the infant’s life, the unnamed philanthropist (not a word Smitley uses) takes the child to the nearby police station, ‘where the woman was also taken’ (p. 44).
This volume makes an excellent contribution to the field of religious and gender history, properly marking the revival of interest in religion within British cultural and social history that has been quietly developing over the past decade.
Esther Breitenbach and Pat Thane’s edited collection, Women and Citizenship in Britain and Ireland in the Twentieth Century is a timely and very useful addition to the historiography.
In her most recent publication, Felicity Nussbaum masterfully explores the relationship between the celebrated actresses of the 18th-century English stage and the changing economic and social mores of the period.