In 1992 a conference was held at Reading to study the changing relations between England and Normandy that resulted from the conquest of 1066.(1) Some ten years later, after a period of intense historical investigation, a colloque at Cerisy-la-Salle re-examined the questions raised at Reading and assessed the ways in which historical understanding of t
This book addresses a number of live issues in early modern historiography: the ‘New British History’, emphasising those nations and regions beyond the English heartlands; post-Eltonian revisionism, which questions the thesis of a centralising revolution in Tudor government; and the new cultural history, which uses a wide range of cultural artefacts – ‘texts’ – to explore polit
The Holy Reich comes with substantial praise attached. According to the blurb on the back, Michael Burleigh says it is 'an important and original book' which 'deserves as wide a readership as possible'. Helmut Walser Smith regards it as 'a brilliant and provocative work that will recast the whole debate on Christianity and Nazism'.
In the popular imagination, the geographical complexity of the Holocaust has been reduced to two Polish towns, Oswiecim and Warsaw. The death camp sited in the former has emerged as not only the definitive death camp and representative of the state-sponsored factory-like mass killings of the Holocaust, but also as a synonym for evil.
This study sets itself the task of restoring ‘the tarnished reputation that Henry VIII’s bishops have earned from contemporaries and historians alike’.(p. 7) From Francis Bacon, through David Hume, and into the twentieth century, historians have condemned the occupants of Henry’s episcopal bench as mediocrities and time-servers.
In this innovative and interesting study, Antoinette Burton raises questions and extends the parameters of discussion in relation to a number of key issues that concern the relationship between women, the home and colonial modernity in twentieth century colonial India.
Margaret Cavendish, Duchess of Newcastle, laments the excesses of Puritan iconoclasm in her poem 'An antient Cross', first published in 1656 in Natures Pictures: